17 Tracks Presents the Top 25 Songs of 2009

The 2000s were a decade ripe with fragmentation and it saw old ways of doing things crumble and fail, yet 2009 was full of instances of cultural unity. The Black Eyed Peas dominated the Billboard Hot 100 for six whole months. Michael Jackson's death resulted in wall-to-wall coverage and commemoration that will continue well into next year. The world collectively glared at Kanye, comforted Taylor, and applauded Beyonce following the MTV Video Music Awards. Gagamania swept the globe becoming the biggest pop phenomenon since the teen pop reached its peak at the turn of the century. It was quite the year.


Below are the top 25 songs of 2009. Each song has an embedded video below so you can enjoy the sights and sounds of each song. Most of the videos are provided by Vevo, something that wasn't even available a few short weeks ago when 17 Tracks counted down the top 100 songs of the decade. Basically, its a way for record companies to monetize the vast Internet frontier that is YouTube. The bad thing is you might get commercials prior to watching the video, but just keep watching because it will show up. The good thing is now bloggers everywhere can embed high quality music videos put out by the record labels without them being blocked or getting yanked hours later. I support Vevo.


And with that, I humbly present to you for your consideration, the 17 Tracks Top 25 Songs of 2009. Enjoy.

1. Lady Gaga - "Poker Face"

When Lady Gaga made her debut last year, she seemed destined for indie electro-pop greatness. She would be hailed as the savior of pop on such sites as Popjustice, mentioned on Pitchfork every once in a while, and would develop a cult following among music fans who are obsessed with obscure Scandinavian pop stars. Boy, was I wrong.

Although Lady Gaga ended 2008 as an underground artist, 2009 saw her rocket to a world famous superstar. "Just Dance" became a No. 1 hit in January, but any notion that the singer would be a flash in the pan ended when "Poker Face" followed its predecessor into the penthouse in April.

While "Just Dance" was an amazing pop single (and 17 Track's No. 7 song of 2008), "Poker Face" has quickly become Gaga's signature song. Its grinding synth as suggestive lyrics that use poker as a metaphor for bisexuality cemented her status as one of the 2000s definitive pop stars despite emerging in its final eighteen months.

2. Kasabian - "Underdog"

"Underdog" manages to combine post-punk sensibilities with electro-crunch and a slightly western folk swagger in "Underdog". The results are an anthemic and defiant opener to their horribly titled West Ryder Pauper Lunatic Asylum.

3. Girls Aloud - "The Loving Kind"

"The Loving Kind" is Girls Aloud's twentieth and final (so far) top ten single, and one of the best songs they've recorded. A desperate plea for a final shot at love, the track has enough bounce to make it danceable, but enough sophistication to keep it classy.

4. Phoenix - "1901"

I can't hear Phoenix's "1901" without thinking of the Cadillac commercial it soundtracks. "All designed to reignite the soul," the announcer says about 2009 SRX, but it can also be said about the song that features synth reminiscent on 1970s "high-tech" sound effects.

5. Cheryl Cole feat. Will.I.Am - "3 Words"

Former Girls Aloud singer takes a break from her award winning group to make music with Will.I.Am. Earlier this year, that didn't exactly sound like a recipe for success, but both Cheryl Cole and "the new Bob Dylan" proved us wrong with this haunting hypnotic masterpiece.

Cheryl Cole '3 Words' from Tom Lindsay on Vimeo.

6. MPHO - "Box N Locks"

"Box N Locks" was this year's "L.E.S. Artiste", a new wave tune by a female black singer that challenged the idea that she has to make a certain type of music singing, "Supposed to be this ghetto chick making all this urban music...bet you never knew that I could do this too."

7. Kanye West feat. Kid Cudi - "Welcome To Heartbreak"

Kanye West made Taylor Swift cry so he's keeping a low profile for a while. Chris Brown physically assaulted Rihanna and he's got a new album out. Doesn't make much sense, but it also doesn't take away from the greatness of "Welcome To Heartbreak", the thesis for 808s & Heartbreak.

8. Jay-Z feat. Alicia Keys - "Empire State of Mind"

Jay-Z has never had a No. 1 single without the help of a leading lady, and even though Hova has lead credits on "Empire State of Mind", it wouldn't have become the smash hit that it is without Alicia Key's and her larger than life hook.

9. Bat For Lashes - "Daniel"

"Daniel" is the most instant track British-Pakistani singer Bat for Lashes has ever recorded. The mystic track channels Stevie Nicks with poetic lyrics about love, loss, and the fictional character Daniel who may or may not be the karate kid.

Daniel from Bat for Lashes on Vimeo.

10. Beyonce - "Diva"

A diva is a female version of a hustler, and "Diva" is a female version of "A Milli", Lil Wayne's freestyle critic charming rap. Beyonce's foray into rapping comes as no surprise considering who her husband is. The track oozes swagger and attitude.

11. Kid Cudi - "Day 'N' Nite"

Kanye West protege Kid Cudi proved he deserved Ye's praise with his debut single. Both the laid back album version and the dancefloor pleasing Crookers remix are steller, telling the tale of "the lonely stoner" and his quest for happiness.

12. Lady Gaga - "Paparazzi"

Lady Gaga capitalized on her two No. 1 hits with "Paparazzi". The insistent beat and obsessive lyrics were set to a stunning music video that clocked in just under eight minutes and provided commentary on the fatal cost of fame. And then you have the blood drenched VMA performance. Lady Gaga was only beginning.

13. La Roux - "Bulletproof"
La Roux lead singer Eleanor Jackson has weird hair and an...interesting...voice. I originally compared it to an electric drill to the head. A few months later, her voice has grown on me, and its definitely not bad enough that you can't enjoy their marvelous "Bulletproof" for three minutes and thirty seconds.

14. Lily Allen - "The Fear"

As a self made Myspace celebrity, British singer Lily Allen has a few things to say about fame. "I want to be rich and I want lots of money, I don't care about clever, I don't care about funny," she sings. Drowning in irony and poking fun at the notion of 15 minutes of fame, the track won over critics' hearts and consumers' wallets in the UK.

Lily Allen - The Fear from Alex Gilbert on Vimeo.

15. Girls Aloud - "Untouchable"
Its a shame that Girls Aloud's 6:44 epic had to be edited for radio. Still, this icy neo-disco track finds the Girls waxing poetic over blissfully pulsing synth. "Without any meaning, we're just skin and bones, like beautiful robots dancing alone." Amen.

Untouchable - Girls Aloud from Mark Adcock on Vimeo.
16. Beyonce - "Halo"

Ryan Tedder has got a lot of flack this year, but can you write songs as good as "Halo", "Apologize", "Bleeding Love", or "Already Gone"? This single was the most beautiful song to pass from Beyonce's lips, especially juxtaposed with her fire breathing Sasha Fierce stuff she did.

17. Shakira feat. Lil Wayne - "Give It Up To Me"

It's a mystery how Shakira's She Wolf never took off with singles like "She Wolf", "Did It Again", and "Give It Up To Me". "Up" features the ubiquitous Lil Wayne and was produced by Timbaland. It should have been a homerun. What does the average American know about good music though anyways?

18. Annie - "Anthonio"

"This may come as a surprise, my baby has your eyes," says Annie to her one time lover over a sophisticated thumping beat. Despite being dropped by her record label, Annie has maintained near universal popularity and acclaim from major music sites and minor blogs alike, and with songs like "Anthonio", it's not hard to hear why.

19. Kasabian - "Fire"

"Fire" is an extremely overused word in the post-punk genre. How else do you show how edgy you are? I'm on fire, you're on fire, sex is on fire. Still, I'll give it to Kasabian for putting the word to good use in their propulsive yet twangy track.

20. Basement Jaxx - "Raindrops"

"Raindrops" made 17 Tracks Summer mix and was then called an Amazonian rainstorm from the future. There's no better way to describe this song which packs primitive beats, colossal synth, and electric guitar into one euphoric track.

21. Lady Gaga - "Bad Romance"

Lady Gaga turned her stage name into a primal chant that has become a catch phrase that you can become a fan of on Facebook, as well as made a music video with a dance that's the closest thing to becoming a cultural phenomenon since "Single Ladies". The dark and danceable beat of "Bad Romance" continued her streak of critic charming hit songs.

22. Rihanna feat. Young Jeezy - "Hard"
Rihanna proves she stronger than before in "Hard". The musical middle finger incorpirates lyrical elements from her recent hit with Jay-Z, "Run This Town", and is the darkest and...well hardest song she's ever recorded.

23. Beyonce - "Sweet Dreams"

Beyonce's first electro-song shares a title with one of the most famous electro-songs ever. That's always a gamble, but B pulls it off, singing about a love that's either, "a sweet dream or a beautiful nightmare," that she doesn't want to wake up from.


24. Taylor Swift - "You Belong With Me"
Love rarley seems to work out the way you wish it would. You like someone who likes someone else who likes someone else, and no one's happy. That's why "You Belong With Me" works. That, and its perfect blend of Nashville and Kelly Clarkson which made it a radio smash.


25. Britney Spears - "Circus"
Although it became evident this year that Britney isn't into being a pop star like she used to, when the heavy breathing and guitars kick on in the pre-chorus of "Circus", it's impossible to not be excited. And has she ever had lyrics as thought provoking as, "There's only two types of people in the world: The ones that entertain and the ones that observe"?

Take a look back at: 17 Tracks presents the Top 25 Songs of 2008

The Decade: A Retrospective The Best Songs 55-41

"Poker Face"

Lady Gaga

The Fame (2008)

"Who'd have thought the greatest popstar of the noughties would appear in the decade's final 18 months?" wrote Popjustice. It is pretty phenomenal. After ten years of America being fed pop puppets, Lady Gaga emerged as a true pop artist. She wrote her own songs. She sang. She played instruments. She had a vision of her art and her image. She became famous through hard work and playing at dingy clubs in New York, not the Mickey Mouse club. Of the amazing impact she's had in such a short time, "Poker Face" is her supreme single.

"I Will Follow You Into The Dark"
Death Cab for Cutie
Plans (2005)

Nominated for Best Performance by a Duo or Group at the 2007 Grammys, Death Cab's "I Will Follow You Into The Dark" was beat out by the Black Eyed Peas' "My Humps". No, I'm serious. Obviously, the Grammys aren't always the measuring stick for music's cultural value as they would have us believe, because this song's beauty and simplicity beats out the Peas' brash schoolyard ditty any day. In what amounts to a Ben Gibbard solo track, the Death Cab front man ponders love, life, and death.

"Rehab"
Amy Winehouse
Back To Black (2006)

In the decade's best neo-soul song, Amy Winehouse managed to reference Motown without ripping it off. Winehouse's brassy rebellious "Rehab" is also the decade's best example of art imitating life, as the singer soon became more famous for her addictions and wild behavior than her music. Her frank lyrics and Etta James style crooning won Winehouse a slew of awards and kickstarted the modern retro revival.

"The Middle"
Jimmy Eat World
Bleed American (2001)

Jimmy Eat World has always had a knack for taking lyrics that others would sound corny singing, and pulling it off. "The Middle" is filled with motivational lines like, "don't write yourself off yet," and "everything will be alright," that Jim Adkins flat out sells. It's little wonder J.E.W. can make music like this though, after all, they were dropped by their record label and recorded their airtight power-pop smash of an album, Bleed American, on their own dime and had labels begging to sign them. Don't write yourself off yet is right.

"Somewhere Only We Know"
Keane
Hopes and Fears (2004)

There's something about Keane's "Somewhere Only We Know" that reminds me of a Disney movie. It's an epic power ballad that would fit perfectly in the scene right before the climax where the prince and princess declare their love for each other, and reprised as the credits begin rolling. The insistent fluttering piano and Tom Chaplin's promise that there is a paradise somewhere out there is pure magic.

"Like I Love You"
Justin Timberlake
Justified (2002)

"Sometimes people just destined, destined to do what they do," Justin Timberlake muses at the end of his debut solo single, "Like I Love You". Becoming the next Michael Jackson wasn't exactly a sure thing though. Timberlake had a massive task in front of him, having to shed his boy band image and rebrand himself as the new king of pop. With the help of Pharrell, this funky R&B song was crafted, and the rest is history.

"A Thousand Miles"
Vanessa Carlton

Be Not Nobody (2002)

"This must be the white song that all black people like, you know every year there's a song that black people like and this is that," said Kanye West about Vanessa Carlton's "A Thousand Miles" on his iTunes celebrity playlist. Kanye, don't kid yourself, this is a song everyone likes. The track managed to retain its beauty even with made-for-radio percussion and guitar slapped on, making it perfect for both pop and adult contemporary radio.

"Chicago"
Sufjan Stevens

Illinois (2005)

Sufjan Steven's "Chicago" is a life affirming celebration of a song. It begins soft and understated before blossoming into a kaleidoscope of sound. Rich strings, sleigh bells, xylophones, trumpets, and a choir weave in and out to set the backdrop the Steven's tale of driving to Chicago and New York in a van. He repeats the phrase "I've made a lot of mistakes," but its drowned out by the choir triumphantly singing the spiritual line, "You came to take us, all things go to recreate us."

"B.O.B."
OutKast
Stankonia (2001)

When OutKast released "B.O.B." in 2000, there were no bombs over Baghdad. By decade's end, Iraq's capital has seen more than enough bombs. "B.O.B." was like a crystal ball, foreshadowing not only a global war on terror (and a "White House painted black" according to Pitchfork , in reference to the cover of Stankonia featuring a black and white American flag), but the disorienting collision popular music would face in the coming ten years.

"Last Nite"

The Strokes
Is This It (2001)

By the end of the 1990s, the term "alternative" had been hijacked, appropriated, and warped beyond all recognition. A decade later, the term "indie" found itself in a similar position. Still, there are a few songs that stand for what those words mean. For alternative, its "Wonderwall" or "Save Tonight". For indie, "Last Nite" by the Strokes takes the crown. Bursting into the scene in 2001 with incredible amounts of goodwill from the rock press, the Strokes deserved every bit of it.

"Say It Right"

Nelly Furtado

Loose (2006)

Nelly Furtado emerged as an innovative earthy folk pop singer in 2000, but after interest faded with her second album, she turned to Timbaland to re energize her career. Her album Loose was a smash hit, but its 80s inspired electro-pop veered away from her organic sound. "Say It Right" was the one exception. Emerging from a jungle soundscape, the song employed Timbaland's trademark yelps and percussion as Furtado tried to convince herself that, "you don't mean nothing at all to me".

"Be Mine"

Robyn

Robyn (2005)

Dance-pop doesn't get more emotional than "Be Mine" by Swedish singer Robyn. Her anguished lyrics are suffocated by frantic orchestral arrangements and racing beats, creating a desperate soundscape. If her declaration that, "you never were and you never will be mine," doesn't get you, the bridge detailing her man having his arm around, and get this, tying the laces of "whatshername", will. Robyn's stripped down performance of the track at the 2008 Nobel Peace Prize show will bring a grown man to tears.

"Everything Is Everything"

Phoenix

Alphabetical (2004)

Using rapidly chiming triangle better than anyone else has all decade, Phoenix crafted a catchy ditty that harkens to the soft-pop of the late 1980s with "Everything Is Everything". "Things are gonna change, and not for better," sings Thomas Mars. The lyrics are all that ambiguous, which only adds to the track's carefree atmosphere. The guitar, reveling in staccato neo-disco, is ever present, but at times understated.

"When You Were Young"

The Killers

Sam's Town (2006)

Brandon Flowers boldly declared that his band's sophomore album Sam's Town would be "one of the best albums in the past twenty years". Whether the Killers did it, or even if they managed to top the ridiculously good Hot Fuss is questionable, but "When You Were Young" is without a doubt one of the best songs in the past twenty years. Channeling Bruce Springsteen, the band wrote the great American rock song complete with Jesus, highways, and riding on the backs of hurricanes.

"Sex On Fire"

Kings of Leon

Only By The Night (2008)

"Fire" is a word bands love to throw around. It evoke edginess, unpredictability, and a general feeling of hardcore-ness, but if everyone else is doing it, how do you use it and stand out? Kings of Leon threw in "Sex". Can you get any edgier than that? "Sex on Fire" isn't actually about sex though, don't worry, it was just a filler word the Followills used until they decided it would make a good song title. The track is a stirring rock anthem made for the arenas.

17 Tracks Summer 2009 Mix

The other day I dusted off 17 Tracks Summer 2008 Mix and it was like a time capsule to twelve months ago. Rihanna ruled the world, free promotional downloads were all the rage, trans-Atlantic No. 1 hits dominated the charts and, Barack Obama was just another presidential hopeful.

This year's mix is a lot lighter on "hits for hits sake". Track 1 is the only song that's reached No. 1 in the US or UK and I'm fine with that (I couldn' stomach "I Kissed A Girl" from last year's CD. That was definitley a "hit for hits" sake song). To those of you who only listen to Top 40 radio, fear not, there's plenty of songs from big name acts but there's also plenty of new music to sink your teeth into.

Hope you guys enjoy the mix and this last month of summer.

01. "I Gotta Feelin'"
Artist: Black Eyed Peas
Album: The End
Why: Summer 2009 is the summer of the Black Eyed Peas whether we like 'em or not. President Obama commissioned Will.I.Am to create an album that would help Americans forget that they were in a recession and part of the bailout money went to buying the most expensive synthesizers money can buy. Between "Boom Boom Pow" and "Feelin", the Peas have had a lockdown on the No. 1 spot for 16 weeks and I'm beginning to think they'll outlast the recession.


02. "I Talk Too Much"
Artist: Just Jack feat. Kylie Minogue
Album: Overtones
Why: Because its a cool song. How can you say no to a hipster pop ditty from an indie electronic artist featuring one of the biggest pop stars in the world? It pleases Pitchfork and Popjustice readers alike.


03. "Fireflies"
Artist: Owl City
Album: Ocean Eyes
Why: This song was iTune's free single of the week a week ago and it sounds like a Postal Service reject. Maybe a few years ago it wouldn't have many a blip on my radar but after Ben Gibbard announced there would be no follow up to 2003's Give Up, I'll take whatever I can get.


04. "Hold The Line"
Artist: Major Lazer feat. Santigold
Album: Guns Don't Kill People...Lazers Do
Why: Nothing says summer like a cartoon musician. Like the Archies and Gorillaz before "him", Major Lazer is a collaborative musical project fronted by a cartoon character. Diplo is the mastermind behind the Jamaican commando and he team's up with summer mix favorite Santogold who landed two songs on last year's mix. I just love the part about "fresh from California".


05. "Lisztomania"
Artist: Phoenix
Album: Wolfgang Amadeus Phoenix
Why: Any song that references a movie in which Ringo Starr plays the Pope deserves a spot on a mix. Plus, Phoenix is the shiz.


06. "Awesome"
Artist: The Bloody Beetroots
Album: Romborama
Why: Because this song is AWESOME!!! Seriously, this track is so hot.


07. "She Wolf"
Artist: Shakira
Album: To Be Announced
Why: Shakira pronounces words like Alanis and she makes disco like the Bee Gees. Props to her for being the first artist to use the word lycanthropy in a pop song.


08. "Paranoid"
Artist: Kanye West
Album: 808s & Heartbreak
Why: Kanye is a perennial 17 Tracks favorite and "Paranoid" is one of 808s highlights. The new single mix makes the song about distrust and paranoia in a relationship gone haywire that much catchier.

09. "The Loving Kind"

Artist: Absent Elk

Album: None

Why: Originally a UK No. 10 hit by Girls Aloud, this Pep Shop Boys penned track shines no matter who sings it and Absent Elk's low key take on the track proves it.

10. "Already Gone"

Artist: Kelly Clarkson

Album: All I Ever Wanted

Why: Sure Kelly hates it but Ryan Tedder didn't become the songwriter of the moment for nothing. It's a breakup song but its a happy breakup song. Those are far and few between.

11. "Sweet Dreams"

Artist: Beyonce

Album: I Am...Sasha Fierce

Why: You didn't think we'd put "Halo" on here did you?

12. "1901"

Artist: Phoenix

Album: Wolfgang Amadeus Phoenix

Why: Lucky Phoenix, they get two songs on the mix! "1901" is their best song. There is absolutely nothing French about it, actually, it sounds very Strokes-ey. Mark my words, this will end up as one of the year's most critically acclaimed songs.

13. "One More Chance"

Artist: Bloc Party

Album: None

Why: "One More Chance" is the healing balm to Intimacy's scars. Kele's desperate pleas for "one more chance to love you" and "don't say another word about the other boy" amid the swirling house beats and insistent driving guitar make for another Bloc Party classic.

14. "Obsessed"

Artist: Mariah Carey

Album: Memoirs of an Imperfect Angel
Why: This song and its travails have provided so many rich story lines that it would be a crime to not put it on here. It has gone from the moment Mimi "jumped the shark" and used auto-tune to the first shot in a massive blog fueled war of superstars.

15. "Raindrops"

Artist: Basement Jaxx

Album: Scars

Why: It's like an Amazonian rainstorm...from the future! The raindrops equals moisture dripping from your lips is...interesting...and its dramatic build is euphoric. Always on the cutting edge of electronia, the Basement Jaxx deliver another hit.

16. "Run This Town"

Artist: Jay-Z feat. Kanye West & Rihanna

Album: The Blueprint III
Why: It would have been just another cocky song by Jay-Z but Rihanna adds the same attitude that she showed on "Live Your Life" minus the cumbersome Numa Numa sample and then you have Kanye's rapping. It's good to hear him do that again, isn't it?

17. "Box N Locks"
Artist: MPHO
Album: Pop Art
Why: I predict that this song will end up one of critic's favorite songs of the year. Like the lovechild of Prince and the Cars, "Box N Locks" is a hipster surf-guitar pop declaration of independence. MPHO's sentiments are similar to those of Santogold last year, challenging the notion that black artists have to make "black" music. Even their voices are two peas in a pod.