Showing posts with label Girls Aloud. Show all posts
Showing posts with label Girls Aloud. Show all posts

Cheryl Cole "Promise This"

     What separated British girl group Girls Aloud from predecessors like the Spice Girls wasn't only the fact that they were celebrated by critics and actually made good music, but that they realized that they were stronger together than they were apart. The group recorded five albums in as many years, and not once did it seem like any of them had any thoughts of going solo.

     Maybe that's why it seemed more natural for singer Cheryl Cole to go solo when the group went on hiatus in 2009. There was no public animosity within the Aloud and Cheryl seemed to be doing it only because making music was what she loved and not to feed a massive ego. 

     With Cole's second album only months away, and fellow bandmate Nadine Coyle's solo project nearing completion, any hopes of Girls Aloud getting back together seem dim.  With music as inventive and interesting as "Promise This" though, it doesn't seem so bad.

      "Promise this: If I die before I wake...take the time to say your grace," Cole sings in the song's very 90's music video.  Another instant classic for Miss Cole.

17 Tracks Presents the Top 25 Songs of 2009

The 2000s were a decade ripe with fragmentation and it saw old ways of doing things crumble and fail, yet 2009 was full of instances of cultural unity. The Black Eyed Peas dominated the Billboard Hot 100 for six whole months. Michael Jackson's death resulted in wall-to-wall coverage and commemoration that will continue well into next year. The world collectively glared at Kanye, comforted Taylor, and applauded Beyonce following the MTV Video Music Awards. Gagamania swept the globe becoming the biggest pop phenomenon since the teen pop reached its peak at the turn of the century. It was quite the year.


Below are the top 25 songs of 2009. Each song has an embedded video below so you can enjoy the sights and sounds of each song. Most of the videos are provided by Vevo, something that wasn't even available a few short weeks ago when 17 Tracks counted down the top 100 songs of the decade. Basically, its a way for record companies to monetize the vast Internet frontier that is YouTube. The bad thing is you might get commercials prior to watching the video, but just keep watching because it will show up. The good thing is now bloggers everywhere can embed high quality music videos put out by the record labels without them being blocked or getting yanked hours later. I support Vevo.


And with that, I humbly present to you for your consideration, the 17 Tracks Top 25 Songs of 2009. Enjoy.

1. Lady Gaga - "Poker Face"

When Lady Gaga made her debut last year, she seemed destined for indie electro-pop greatness. She would be hailed as the savior of pop on such sites as Popjustice, mentioned on Pitchfork every once in a while, and would develop a cult following among music fans who are obsessed with obscure Scandinavian pop stars. Boy, was I wrong.

Although Lady Gaga ended 2008 as an underground artist, 2009 saw her rocket to a world famous superstar. "Just Dance" became a No. 1 hit in January, but any notion that the singer would be a flash in the pan ended when "Poker Face" followed its predecessor into the penthouse in April.

While "Just Dance" was an amazing pop single (and 17 Track's No. 7 song of 2008), "Poker Face" has quickly become Gaga's signature song. Its grinding synth as suggestive lyrics that use poker as a metaphor for bisexuality cemented her status as one of the 2000s definitive pop stars despite emerging in its final eighteen months.



2. Kasabian - "Underdog"

"Underdog" manages to combine post-punk sensibilities with electro-crunch and a slightly western folk swagger in "Underdog". The results are an anthemic and defiant opener to their horribly titled West Ryder Pauper Lunatic Asylum.



3. Girls Aloud - "The Loving Kind"

"The Loving Kind" is Girls Aloud's twentieth and final (so far) top ten single, and one of the best songs they've recorded. A desperate plea for a final shot at love, the track has enough bounce to make it danceable, but enough sophistication to keep it classy.


4. Phoenix - "1901"

I can't hear Phoenix's "1901" without thinking of the Cadillac commercial it soundtracks. "All designed to reignite the soul," the announcer says about 2009 SRX, but it can also be said about the song that features synth reminiscent on 1970s "high-tech" sound effects.


5. Cheryl Cole feat. Will.I.Am - "3 Words"

Former Girls Aloud singer takes a break from her award winning group to make music with Will.I.Am. Earlier this year, that didn't exactly sound like a recipe for success, but both Cheryl Cole and "the new Bob Dylan" proved us wrong with this haunting hypnotic masterpiece.


Cheryl Cole '3 Words' from Tom Lindsay on Vimeo.


6. MPHO - "Box N Locks"

"Box N Locks" was this year's "L.E.S. Artiste", a new wave tune by a female black singer that challenged the idea that she has to make a certain type of music singing, "Supposed to be this ghetto chick making all this urban music...bet you never knew that I could do this too."



7. Kanye West feat. Kid Cudi - "Welcome To Heartbreak"

Kanye West made Taylor Swift cry so he's keeping a low profile for a while. Chris Brown physically assaulted Rihanna and he's got a new album out. Doesn't make much sense, but it also doesn't take away from the greatness of "Welcome To Heartbreak", the thesis for 808s & Heartbreak.


8. Jay-Z feat. Alicia Keys - "Empire State of Mind"

Jay-Z has never had a No. 1 single without the help of a leading lady, and even though Hova has lead credits on "Empire State of Mind", it wouldn't have become the smash hit that it is without Alicia Key's and her larger than life hook.



9. Bat For Lashes - "Daniel"

"Daniel" is the most instant track British-Pakistani singer Bat for Lashes has ever recorded. The mystic track channels Stevie Nicks with poetic lyrics about love, loss, and the fictional character Daniel who may or may not be the karate kid.


10. Beyonce - "Diva"

A diva is a female version of a hustler, and "Diva" is a female version of "A Milli", Lil Wayne's freestyle critic charming rap. Beyonce's foray into rapping comes as no surprise considering who her husband is. The track oozes swagger and attitude.




11. Kid Cudi - "Day 'N' Nite"

Kanye West protege Kid Cudi proved he deserved Ye's praise with his debut single. Both the laid back album version and the dancefloor pleasing Crookers remix are steller, telling the tale of "the lonely stoner" and his quest for happiness.


12. Lady Gaga - "Paparazzi"

Lady Gaga capitalized on her two No. 1 hits with "Paparazzi". The insistent beat and obsessive lyrics were set to a stunning music video that clocked in just under eight minutes and provided commentary on the fatal cost of fame. And then you have the blood drenched VMA performance. Lady Gaga was only beginning.


13. La Roux - "Bulletproof"
La Roux lead singer Eleanor Jackson has weird hair and an...interesting...voice. I originally compared it to an electric drill to the head. A few months later, her voice has grown on me, and its definitely not bad enough that you can't enjoy their marvelous "Bulletproof" for three minutes and thirty seconds.

14. Lily Allen - "The Fear"

As a self made Myspace celebrity, British singer Lily Allen has a few things to say about fame. "I want to be rich and I want lots of money, I don't care about clever, I don't care about funny," she sings. Drowning in irony and poking fun at the notion of 15 minutes of fame, the track won over critics' hearts and consumers' wallets in the UK.


Lily Allen - The Fear from Alex Gilbert on Vimeo.

15. Girls Aloud - "Untouchable"
Its a shame that Girls Aloud's 6:44 epic had to be edited for radio. Still, this icy neo-disco track finds the Girls waxing poetic over blissfully pulsing synth. "Without any meaning, we're just skin and bones, like beautiful robots dancing alone." Amen.

Untouchable - Girls Aloud from Mark Adcock on Vimeo.
16. Beyonce - "Halo"

Ryan Tedder has got a lot of flack this year, but can you write songs as good as "Halo", "Apologize", "Bleeding Love", or "Already Gone"? This single was the most beautiful song to pass from Beyonce's lips, especially juxtaposed with her fire breathing Sasha Fierce stuff she did.




17. Shakira feat. Lil Wayne - "Give It Up To Me"

It's a mystery how Shakira's She Wolf never took off with singles like "She Wolf", "Did It Again", and "Give It Up To Me". "Up" features the ubiquitous Lil Wayne and was produced by Timbaland. It should have been a homerun. What does the average American know about good music though anyways?


18. Annie - "Anthonio"

"This may come as a surprise, my baby has your eyes," says Annie to her one time lover over a sophisticated thumping beat. Despite being dropped by her record label, Annie has maintained near universal popularity and acclaim from major music sites and minor blogs alike, and with songs like "Anthonio", it's not hard to hear why.

19. Kasabian - "Fire"

"Fire" is an extremely overused word in the post-punk genre. How else do you show how edgy you are? I'm on fire, you're on fire, sex is on fire. Still, I'll give it to Kasabian for putting the word to good use in their propulsive yet twangy track.


20. Basement Jaxx - "Raindrops"

"Raindrops" made 17 Tracks Summer mix and was then called an Amazonian rainstorm from the future. There's no better way to describe this song which packs primitive beats, colossal synth, and electric guitar into one euphoric track.

21. Lady Gaga - "Bad Romance"

Lady Gaga turned her stage name into a primal chant that has become a catch phrase that you can become a fan of on Facebook, as well as made a music video with a dance that's the closest thing to becoming a cultural phenomenon since "Single Ladies". The dark and danceable beat of "Bad Romance" continued her streak of critic charming hit songs.

22. Rihanna feat. Young Jeezy - "Hard"
Rihanna proves she stronger than before in "Hard". The musical middle finger incorpirates lyrical elements from her recent hit with Jay-Z, "Run This Town", and is the darkest and...well hardest song she's ever recorded.

23. Beyonce - "Sweet Dreams"

Beyonce's first electro-song shares a title with one of the most famous electro-songs ever. That's always a gamble, but B pulls it off, singing about a love that's either, "a sweet dream or a beautiful nightmare," that she doesn't want to wake up from.


24. Taylor Swift - "You Belong With Me"
Love rarley seems to work out the way you wish it would. You like someone who likes someone else who likes someone else, and no one's happy. That's why "You Belong With Me" works. That, and its perfect blend of Nashville and Kelly Clarkson which made it a radio smash.


25. Britney Spears - "Circus"
Although it became evident this year that Britney isn't into being a pop star like she used to, when the heavy breathing and guitars kick on in the pre-chorus of "Circus", it's impossible to not be excited. And has she ever had lyrics as thought provoking as, "There's only two types of people in the world: The ones that entertain and the ones that observe"?

Take a look back at: 17 Tracks presents the Top 25 Songs of 2008

The Decade: A Retrospective The Best Songs 40-26


"Can't Get You Out Of My Head"
Kylie Minogue
Fever
(2001)

Kylie Minogue was a washed-up has-been before she unleashed "Can't Get You Out Of My Head" on the world. It topped the charts across the globe and even crash landed in the top ten in the U.S. Written in part by pop genius Cathy Dennis, the track follows the tried and true method of endless repetition, but somehow it manages to do it better than anyone else. "La la la" was such an obvious hook, but no one ever thought to use it over a flawless sleek dance beat in such a way that the world couldn't get it out of its collective head.

"Jesus Walks"
Kanye West
The College Dropout (2004)

Rapping over military drums and what sounds like a choir of soldiers, Kanye West opens up about religion in "Jesus Walks". Comparing needing Jesus to Kathie Lee needing Regis might seem blasphemous to some, but Kanye sells it with a convincing devoted tone. "I wanna talk to God but I'm afraid because we ain't spoken in so long," he confesses. Despite Ye's line about radio not playing his record because it was about God, it was embraced by radio programmers and fans alike.

"Electric Feel"
MGMT
Oracular Spectacular (2008)

MGMT's Oracular Spectacular wowed critics and several of its tracks landed at the tops of end of the year lists in 2008. "Electric Feel" is the psychedelic indie-electro champ of the bunch, grabbing Bee Gees falsettos and laid back post-punk rock to create a shocking ode to electric love. The tune has an almost primal sound to it, like a ritual tribal dance a band of lost boys would sing while marching around a fire in Lord of the Flies or something.

"Black Sweat"
Prince
3121 (2006)

Like Prince's other great songs, "Black Sweat" lacks a bass line. Prince instead relies solely on a drum machine, a high pitched synthesizer, and his voice to create this jam oozing with funk. "Black Sweat" is able to reference songs like "When Doves Cry" and "Kiss" without sounding like a cheap rewrite. Speaking of rewriting, all he needed to do was change the word "black" to "red" or "blue", and maybe he could have gotten major airtime on Gatorade commercials.

"Take Me Out"
Franz Ferdinand
Franz Ferdinand (2004)

Is Franz Ferdinand lead singer Alex Kapranos singing about getting hit on or getting shot in "Take Me Out", or both? The band managed to put out a song other post-punk revival bands only wish they could write. The fast first verse of the song gives way to a slower, although much more rocked out chorus. The two parts of the song, each with different rhythms, work together perfectly, to create an intoxicating indie masterpiece.



"No Good Advice"
Girls Aloud
Sound of the Underground (2003)

Following the success of "Sound of the Underground", the Girls Aloud needed a follow-up smash to prove they weren't a flash in the pan. "No Good Advice" didn't sound like the song a girl group would record, its attitude, lyrics, melody, and snarling surf guitar sounded more like a 1970s punk song. Its a song about defiance. Written by Xenomania in response to losing a deal with a record company, it served as a manifesto for the Aloud who proved they could make it as the decade's most important girl group without "good advice" from naysayers.

"Yellow"
Coldplay
Parachutes (2000)

"Yellow" was the song that made Coldplay, and its easy to hear why, the song is beautiful, and hopelessly romantic. The narrative of writing a song for someone makes it a modern "Your Song". "Yellow" gave Coldplay their first top ten hit, broke them in America, and propelled Parachutes to wins at the Grammys (Best Alternative Album) and the Brits (Best British Album). The tune has been covered countless times, and that's not even counting all the wooing boyfriends singing it on a clear starry night.

"Yeah!"
Usher
Confessions (2004)

"Yeah!" is a party anthem that could only be made in the decade of the ringtone. Honestly, have you ever heard a song play from so many phones (either the real track or the MIDI version) as you did Usher's biggest hit in 2004? This ultimate party jam sounds as fresh as it did when it was first released, and it brought crunk to the masses and is the single best mispronunciation of an artists name in music history (Ursher has got the smack to make your bootie go...)


"Hung Up"
Madonna
Confessions on a Dancefloor (2005)

Madonna had the first flop album of her career with American Life, a divisive folk album that raged against war and Bush-era America. Ironically, Madonna took a page out of W.'s playbook by pandering to her base and returning to the dancefloor with "Hung Up". Teaming up with producer Stuart Price and sampling ABBA, the Queen of Pop made her last great pop song. It wasn't long before she would try pandering to middle America by hooking up with Justin.

"99 Problems"
Jay-Z
The Black Album (2004)

Ten months before Jay-Z dropped the rap-rock bomb that was "99 Problems", Hova featured on his future wive's "Crazy In Love". I wonder how Beyonce felt about Jay's lyrics? "If you having girl problems I feel bad for you son, I got 99 problems but a bitch ain't one," he raps. His rap about being pulled over by a cop (You was doing 55 in a 54...you carrying a weapon on you? I know a lot of you are) is one of the best statements on racism hip-hop has produced.

"Never Win"
Fischerspooner
Odyssey (2005)

This group of electro-clash revivalists take early 80s synth and filtered it through early 00s art-rock to create "Never Win". The track has the pulsing synth lines, the video game-like beeps during the bridge, and the careless guitar strumming, but it also has a bite to it, ensuring no one ever mistakes it for vapid.

"Milkshake"
Kelis
Tasty (2003)

Kelis' "Milkshake" is a dizzying sonic assault courtesy of N.E.R.D.'s minimalist production. Popular music has had its share of sexual innuendos, but few are as adventurous as this tune with Kelis demanding payment to teach how she makes milkshakes that not only bring the boys to the yard, but are better than yours (damn right). A synth-funk masterpiece.

"Apply Some Pressure"
Maximo Park
A Certain Trigger (2005)

Maximo Park had the unfortunate timing of arriving to the new-wave/post-punk revival after the likes of Kasabian and Bloc Party had already made splashy well-hyped debuts thanks to the British rock press. "Apply Some Pressure" deserves a place in the pantheon of songs. The adrenaline heavy track benefits from machine gun drums and wiry guitar that lives up to its title.


"Valerie"
Amy Winehouse
Version (2006)

BBC's Radio 1 Live Lounge show has become a perennial favorite for bloggers. The radio show features artists performing a hit of their own as well as covering another song which immediately hits the web and improves the search engine optimization of whatever blog posts it. The most famous song to spring from the show is Amy Winehouse's cover of the Zuton's "Valerie". The fact that Winehouse is singing about a woman is a moot point in this bouncy danceable retro-flashback.

"Never Let Me Down"
Kanye West
The College Dropout (2004)

Kanye West has come to be known more for his pop songs and controversial outburts, but his greatest moments are his goosebump inducing singles that pull at your heartstrings. "Never Let Me Down" is Ye's statement on love. Teaming up with Jay-Z and J. Ivy, he made the most emotional song of his career. It strays from Jay-Z's massive ego to Kanye's grandfather's battle with racism to the kind of love that inspires fierce loyalty.

The Decade: A Retrospective The Best Songs 70-56


"Stronger"
Kanye West
Graduation (2007)

"Stronger" was the moment that Kanye West changed his goal from being the biggest rapper in the world to being the biggest pop star in the world. Appropriating Daft Punk's "Harder, Better, Faster, Stronger", West reinvents the adage that what doesn't kill you makes you stronger into a drunken, boastful anthem that was written for the express purpose of being a No. 1 single (which it was).

"Biology"
Girls Aloud
Chemistry (2005)

"Biology" is a classic Girls Aloud track, refusing to conform to the traditional songwriting structure. Instead, the song veers from a cabaret intro to an art rock verse and then to one of its two explosive choruses. Named "best pop single of the last decade" by the Guardian, "Biology" pushed the boundaries of what pop music was supposed to be. Popjustice said, "it is pop music which makes people who don't like pop music think that they like pop music".

"Stroke of Genius"
Freelance Hellraiser
Not commercially released (2001)

Although mash-ups have their origins with the likes of the "Stars on 45" Medley in 1981, it is perhaps the twenty-first century's only totally unique genre. "A Stroke of Genius" was one of the first mash-ups to gain major exposure and it remains one of the best. Freelance Hellraiser combined two wildly divergent songs, the teen-pop of Christina Aguilera's "Genie In A Bottle" and the indie rock of the Stroke's "Hard To Explain". Purists would turn their noses to mixing the two tracks, but their union underscored the decade's trend of tearing down musical barriers.

"Box N Locks"
MPHO
Pop Art (2009)

MPHO's failure to make any major impact on British radio was a massive pop injustice. "Box N Locks" is a masterful, life affirming, and genre-defying debut. Borrowing heavily from Cars-inspired pop, South African born MPHO rages against critics who say she's supposed to make "urban music" because of her skin as she proclaims, "Sorry that I didn't know that I fit in the box and all the locks that's supposed to be unbreakable".

"Blinded By The Lights"
The Streets
A Grand Don't Come For Free (2004)

The Streets' "Blinded By The Lights" is the closest you can come to getting high without puffing a thing. Mike Skinner transports the listener to a club completely stoned as a haunting female voice repeats "lights are blinding my eyes" and the off kilter synth beat drowns the senses. The lyrics are paranoid and schizophrenic making something as simple as finding friends a trippy experience. "Everything in room is spinning, I think I'm gonna fall down, I wonder if they got in..." Skinner wonders before the track ends and he blacks out.

"All These Things That I've Done"
The Killers
Hot Fuss (2004)

"All These Things That I've Done" is an anthem. It begins quiet and solemn with Brandon Flowers pleading, "if you can't hold on, hold on," as a church organ sounds before the swelling guitars and the song's memorable riff take it from there. "Don't you put me on the backburner," Flowers demands. But that's not even the iconic part. The track takes off with the immortal line, "I got soul but I'm not a soldier". The gospel choir joins in, you roll down your windows and sing with them, and everything is right in the world. Everything.

"Work It"
Missy Elliott
Under Construction (2002)

During the 1960s and 70s, backmasking was a major concern for parents worried that their children's rock music was subliminally making their kids want to smoke marijuana. Missy Elliott never went that far, but she told the world to put their things down, flip it, and reverse it both forwards and backwards in her 2002 hit. The song spent a record ten weeks at No. 2 without reaching the top spot, a travesty for the old-school sampling, elephant-tail-yanking, sci-fi thriller.

"Stan"
Eminem
The Marshall Mathers LP (2000)

The word fan is derived from fanatic. Sampling Dido's "Thank You" to a haunting effect, Eminem tells the chilling fictional tale of his "biggest fan", Stan. Stan is tragically misguided and writes several letters to Eminem, each more desperate, drunk, and deranged than the one before, and each goes unanswered. Slim Shady finally responds, but not before his biggest fan ends his life driving his car off a bridge. Eminem never signed up to be an idol, but wife-beater wearing disenfranchised youth across America didn't care.

"Some Girls"
Rachel Stevens
Come and Get It (2005)

"Dreams of number one last forever," Rachel Stevens ironically sang in her No. 2 hit "Some Girls". The song, allegedly about a desperate pop star providing her "services" to a record executive in exchange for fame, was sought by Stevens as well as former Spice Girl Geri Halliwell. Stevens team pitched it as the 2004 Sports Relief charity single although it had nothing to do with sports or charity, and she got it. The track was written and produced by Richard X who used glam rock percussion with Adam Ant influenced synth to make a critic charming smash.

"Izzo (H.O.V.A.)"
Jay-Z
The Blueprint (2001)

At the end of the decade, Jay-Z declared the death of auto-tune because it had become a parody of itself. Almost ten years before however, Jay was responsible for taking a different trend and packaging it for the masses so it could quickly "jump the shark". The Kanye West produced "Izzo" brought the -izzle phenomenon into the public consciousness and soon enough, even your grandmizzle was using it. Hova tackles one of his favorite topics in this track, himself, which samples the Jackson 5's "I Want You Back".

"Paper Planes"
M.I.A.
Kala (2007)

M.I.A. had gained the respect of indie critics and the blogosphere, but it wasn't until her song about being "high like planes" was featured in the marijuana film Pineapple Express that she broke into the mainstream. Stuffed with gunshot noises, a choir of third world children chanting about taking your money, and a Clash sample, "Paper Planes" was an unlikely hit. Peaking at No. 4, it resonated at a time of worldwide economic meltdown and unending global conflict and war.

"I Bet That You Look Good On The Dancefloor"
The Arctic Monkeys
Whatever People Say I Am, That's What I'm Not (2006)

The Arctic Monkeys rode the wave of pre-album release buzz to the top of the charts and Whatever People I Say I Am, That's What I'm Not became the fastest selling debut in British history. The week it was released, it was dubbed the fifth greatest Brit album ever. The British press can be a bit hyperbolic, but luckily the Monkeys lived up to their hype. "I Bet You Look Good On The Dancefloor", the album's lead single, is an airtight, wordy, raw, and explosive song that anyone looks good dancing to.

"Knights of Cydonia"
Muse
Black Holes and Revelations (2006)

Closing out their breakthrough album Black Holes and Revelations was Muse's "Knights of Cydonia". Clocking in at just over six minutes, "Knights" combined Queen-like grandiosity and falsetto, stampeding horses, and electro-opera synth to create an epic track. The song impressively churns on for two minutes before any vocals are needed. "How can we win when fools can be kings?" asks Matthew Bellamy.


"Feel Good Inc."
Gorillaz
Demon Days (2005)

Gorillaz's "Feel Good Inc." is hands down the best song by a fake band ever. Better than the Archie's "Sugar Sugar"? Yes. Featuring a catchy as hell bassline, a crazy manic laugh, and the zombie-like woo-hoo, the virtual group's signature song is unmistakable. Gorillaz was put together by Damon Albarn, lead singer of Blur, with assistance from DJ Dangermouse. Gorillaz went on to be recognized by Guinness Book of World Records as the most successful virtual band of all time.

"Like Eating Glass"
Bloc Party
Silent Alarm (2005)

Bloc Party opened their award winning Silent Alarm with "Like Eating Glass", a hard hitting, visceral jam that plays like an emotional heartbroken bloke too stubborn and angry to admit it. "It's so cold in this house," a lonely Kele Okereke sings. He describes his pain like "drinking poison" and "eating glass" with propulsive guitar and syncopated percussion as a soundtrack to his hurt. It was one of their first hand banging, fist pumping, danceable art-punk-rock songs, but it wouldn't be their last.
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