Showing posts with label Rachel Stevens. Show all posts
Showing posts with label Rachel Stevens. Show all posts

The Decade: A Retrospective The Best Songs 70-56


"Stronger"
Kanye West
Graduation (2007)

"Stronger" was the moment that Kanye West changed his goal from being the biggest rapper in the world to being the biggest pop star in the world. Appropriating Daft Punk's "Harder, Better, Faster, Stronger", West reinvents the adage that what doesn't kill you makes you stronger into a drunken, boastful anthem that was written for the express purpose of being a No. 1 single (which it was).

"Biology"
Girls Aloud
Chemistry (2005)

"Biology" is a classic Girls Aloud track, refusing to conform to the traditional songwriting structure. Instead, the song veers from a cabaret intro to an art rock verse and then to one of its two explosive choruses. Named "best pop single of the last decade" by the Guardian, "Biology" pushed the boundaries of what pop music was supposed to be. Popjustice said, "it is pop music which makes people who don't like pop music think that they like pop music".

"Stroke of Genius"
Freelance Hellraiser
Not commercially released (2001)

Although mash-ups have their origins with the likes of the "Stars on 45" Medley in 1981, it is perhaps the twenty-first century's only totally unique genre. "A Stroke of Genius" was one of the first mash-ups to gain major exposure and it remains one of the best. Freelance Hellraiser combined two wildly divergent songs, the teen-pop of Christina Aguilera's "Genie In A Bottle" and the indie rock of the Stroke's "Hard To Explain". Purists would turn their noses to mixing the two tracks, but their union underscored the decade's trend of tearing down musical barriers.

"Box N Locks"
MPHO
Pop Art (2009)

MPHO's failure to make any major impact on British radio was a massive pop injustice. "Box N Locks" is a masterful, life affirming, and genre-defying debut. Borrowing heavily from Cars-inspired pop, South African born MPHO rages against critics who say she's supposed to make "urban music" because of her skin as she proclaims, "Sorry that I didn't know that I fit in the box and all the locks that's supposed to be unbreakable".

"Blinded By The Lights"
The Streets
A Grand Don't Come For Free (2004)

The Streets' "Blinded By The Lights" is the closest you can come to getting high without puffing a thing. Mike Skinner transports the listener to a club completely stoned as a haunting female voice repeats "lights are blinding my eyes" and the off kilter synth beat drowns the senses. The lyrics are paranoid and schizophrenic making something as simple as finding friends a trippy experience. "Everything in room is spinning, I think I'm gonna fall down, I wonder if they got in..." Skinner wonders before the track ends and he blacks out.

"All These Things That I've Done"
The Killers
Hot Fuss (2004)

"All These Things That I've Done" is an anthem. It begins quiet and solemn with Brandon Flowers pleading, "if you can't hold on, hold on," as a church organ sounds before the swelling guitars and the song's memorable riff take it from there. "Don't you put me on the backburner," Flowers demands. But that's not even the iconic part. The track takes off with the immortal line, "I got soul but I'm not a soldier". The gospel choir joins in, you roll down your windows and sing with them, and everything is right in the world. Everything.

"Work It"
Missy Elliott
Under Construction (2002)

During the 1960s and 70s, backmasking was a major concern for parents worried that their children's rock music was subliminally making their kids want to smoke marijuana. Missy Elliott never went that far, but she told the world to put their things down, flip it, and reverse it both forwards and backwards in her 2002 hit. The song spent a record ten weeks at No. 2 without reaching the top spot, a travesty for the old-school sampling, elephant-tail-yanking, sci-fi thriller.

"Stan"
Eminem
The Marshall Mathers LP (2000)

The word fan is derived from fanatic. Sampling Dido's "Thank You" to a haunting effect, Eminem tells the chilling fictional tale of his "biggest fan", Stan. Stan is tragically misguided and writes several letters to Eminem, each more desperate, drunk, and deranged than the one before, and each goes unanswered. Slim Shady finally responds, but not before his biggest fan ends his life driving his car off a bridge. Eminem never signed up to be an idol, but wife-beater wearing disenfranchised youth across America didn't care.

"Some Girls"
Rachel Stevens
Come and Get It (2005)

"Dreams of number one last forever," Rachel Stevens ironically sang in her No. 2 hit "Some Girls". The song, allegedly about a desperate pop star providing her "services" to a record executive in exchange for fame, was sought by Stevens as well as former Spice Girl Geri Halliwell. Stevens team pitched it as the 2004 Sports Relief charity single although it had nothing to do with sports or charity, and she got it. The track was written and produced by Richard X who used glam rock percussion with Adam Ant influenced synth to make a critic charming smash.

"Izzo (H.O.V.A.)"
Jay-Z
The Blueprint (2001)

At the end of the decade, Jay-Z declared the death of auto-tune because it had become a parody of itself. Almost ten years before however, Jay was responsible for taking a different trend and packaging it for the masses so it could quickly "jump the shark". The Kanye West produced "Izzo" brought the -izzle phenomenon into the public consciousness and soon enough, even your grandmizzle was using it. Hova tackles one of his favorite topics in this track, himself, which samples the Jackson 5's "I Want You Back".

"Paper Planes"
M.I.A.
Kala (2007)

M.I.A. had gained the respect of indie critics and the blogosphere, but it wasn't until her song about being "high like planes" was featured in the marijuana film Pineapple Express that she broke into the mainstream. Stuffed with gunshot noises, a choir of third world children chanting about taking your money, and a Clash sample, "Paper Planes" was an unlikely hit. Peaking at No. 4, it resonated at a time of worldwide economic meltdown and unending global conflict and war.

"I Bet That You Look Good On The Dancefloor"
The Arctic Monkeys
Whatever People Say I Am, That's What I'm Not (2006)

The Arctic Monkeys rode the wave of pre-album release buzz to the top of the charts and Whatever People I Say I Am, That's What I'm Not became the fastest selling debut in British history. The week it was released, it was dubbed the fifth greatest Brit album ever. The British press can be a bit hyperbolic, but luckily the Monkeys lived up to their hype. "I Bet You Look Good On The Dancefloor", the album's lead single, is an airtight, wordy, raw, and explosive song that anyone looks good dancing to.

"Knights of Cydonia"
Muse
Black Holes and Revelations (2006)

Closing out their breakthrough album Black Holes and Revelations was Muse's "Knights of Cydonia". Clocking in at just over six minutes, "Knights" combined Queen-like grandiosity and falsetto, stampeding horses, and electro-opera synth to create an epic track. The song impressively churns on for two minutes before any vocals are needed. "How can we win when fools can be kings?" asks Matthew Bellamy.


"Feel Good Inc."
Gorillaz
Demon Days (2005)

Gorillaz's "Feel Good Inc." is hands down the best song by a fake band ever. Better than the Archie's "Sugar Sugar"? Yes. Featuring a catchy as hell bassline, a crazy manic laugh, and the zombie-like woo-hoo, the virtual group's signature song is unmistakable. Gorillaz was put together by Damon Albarn, lead singer of Blur, with assistance from DJ Dangermouse. Gorillaz went on to be recognized by Guinness Book of World Records as the most successful virtual band of all time.

"Like Eating Glass"
Bloc Party
Silent Alarm (2005)

Bloc Party opened their award winning Silent Alarm with "Like Eating Glass", a hard hitting, visceral jam that plays like an emotional heartbroken bloke too stubborn and angry to admit it. "It's so cold in this house," a lonely Kele Okereke sings. He describes his pain like "drinking poison" and "eating glass" with propulsive guitar and syncopated percussion as a soundtrack to his hurt. It was one of their first hand banging, fist pumping, danceable art-punk-rock songs, but it wouldn't be their last.

The Decade: A Retrospective The Best Songs 100-86



"Single Ladies (Put A Ring On It)"
Beyonce
I Am...Sasha Fierce (2008)

Kanye West wasn't kidding, Beyonce really did make on of the best music videos of all time for "Single Ladies". All it took was a black and white dance video that could easily translate to a dance craze involving only a wrist twist. How could you ignore a fire breathing Sasha Fierce in a song like this? Jay-Z didn't. He liked enough that he did put a ring on it.

"Gotta Have You"
The Weepies
Say I Am You (2006)

The Weepies' simple "Gotta Have You" is a heartfelt plea for love and a convincing argument that America needs to spend more time listening to folk-pop. It's melodic, blissful, and honest. "No amount of coffee, no amount of wine, no amount of whiskey or wine...nothing else will do, I've gotta have you," sings Deb Talan.


"Fit But You Know It"
The Streets
A Grand Don't Come For Free (2004)

Most British singers are indistinguishable from American ones, but with British rapper the Streets, nothing could be further from the truth. Inspired by former S Club 7 beauty Rachel Stevens, Mike Skinner describes a “fit” (British slang for “hot”) woman as he talks in a strong cockney accent over a snappy but simple rock beat providing hilarious lines about tan lines and queues.

"I'd Rather Dance With You"
Kings of Convenience
Riot on an Empty Street (2004)

This quirky number from indie duo Kings of Convenience (who hail from Bergen, Norway, also home to electro-pop singer Annie) recounts the all too familiar experience of dancing with a girl who wants to talk. Will they ever learn to just let their hips do the talking? The delicate strings and piano are a perfect match for the groups’ calming vocals.

"Love Story"
Taylor Swift
Fearless (2008)

Taylor Swift didn’t break any new ground with “Love Story”. It’s the tried and true model of boy meets girl, boy falls in love with girl, girl’s dad doesn’t approve, and boy convinces girl’s dad to let him marry her. Swift’s simple lyrics and heartfelt vocals provided the soundtrack millions of teenage girls’ first relationships as she sang, “Romeo save me, they’re trying to tell me how to feel. This love is difficult but it’s real."

"Pork and Beans"
Weezer
Weezer
(2008)

Weezer’s commentary on life in the late 00s made us nostalgic for this decade before we even got over 80s nostalgia. Written in response to their record label asking for a hit single, Weezer delivered although they had their tongue planted firmly in their cheeks as they mocked Timbaland, bathroom mirror pics, and the whole idea of writing records for the radio. And the video? Instant classic.

"One Word"
Kelly Osbourne
Sleeping in the Nothing (2005)

Kelly Osbourne seems like the last person who would have a number one dance record in the country, but thanks to writing and production from heralded songwriter Linda Perry, she did. “One Word” is a slice of futuristic new-wave pop, complete with French dialogue to set the mood and Osbourne gently cooing about the one mysterious word that can change the future.
"Faint"
Linkin Park
Meteora (2003)

Don’t turn your back on Linkin Park because they won’t be ignored. As the kings of nu-metal, LP rammed rap together with metal to create inventive music you could feel like a B.A.M.F. listening too. “Faint” is a stirring declaration of war made up of screeching samples, hard hitting hip-hop beats, and heavy guitar. Sticking it to the man never sounded this good.

"Gimme More"
Britney Spears
Blackout (2007)

“Gimme More” perfectly captures Britney Spears' darkest days. From the immortal opening, “It’s Britney bitch” to the last blip of the minimalist synth, the song portrays an insatiable appetite for hedonistic self destruction. Her panting “gimme”’s are looped and followed by a host of robotic voices demanding “more” mirroring the bizarre relationship Spears had with the blog fueled tabloid industry.

"Me and Mia"
Ted Leo and the Pharmacists
Shake the Streets (2004)

When coming up with ideas for songs, I doubt eating disorders is ever at the top of the list. In fact, Leo and the Pharmacists might be the only band to ever do it. Referencing Mia (bulima) and Ann and Anna (anorexia), Leo both empowers and rocks as he sings about fighting for self control despite “bourgeois social angels telling you you’ve got to change”.


"Sound of the Undergroud"
Girls Aloud
Sound of the Underground
(2003)

Reality television has largely failed to produce any great songs but “Sound of the Underground” is an exception. The pulsating track employs surf guitar and a neo drum and bass beat to annihilate any preconceived notions of what kind of music reality pop stars are allowed to make. In fact, the Aloud’s debut single makes pop out to be the most exciting, underground, electric, and overpowering medium known to mankind.

"Supermassive Black Hole"
Muse
Black Holes and Revelations
(2006)

Supermassive black holes are black holes with the highest classification of mass and Muse’s song of the same name is probably one of their heaviest songs. A dance rock song that borrows from Kanye West and Prince just as much as it does from Radiohead, it was so good that it ended up on the soundtrack to a very popular vampire movie. That marked the first and last time millions of pink iPod nanos had a Muse song on them.

"Sweet Dreams My L.A. Ex."
Rachel Stevens
Funky Dory (2003)

Originally an imagined response to Justin Timberlake’s “Cry Me A River”, “Sweet Dreams My L.A. Ex.” was given to former S Club 7 star Rachel Stevens after Britney Spears wrote her own retort (“Everytime”). In the end, everyone won. Stevens’ sexy performance is a perfect complement to the juxtaposed acoustic guitars and brazen synth buzz. Sweet dreams indeed.

"Seven Nation Army"
The White Stripes
Elephant
(2003)

There is no mistaking the baseline and thumping drums of "Seven Nation Army". Its role as the flagship garage rock revival song of the decade means it still gets plenty of spins and plenty of artists clammering to cover it. The song never gets too wild and out of control, but it still packs enough punch that the queen of England, the hounds of hell, or even a seven nation army can hold it down.

"Apologize"
Timbaland feat. OneRepublic
Shock Value (2007)

All Timbaland did was add some percussion and his trademark "eh" but somehow he got the lead in the featuring credit. Not fair, but it's too late to apologize. Singer and songwriter Ryan Tedder has gotten his fair share of bad press for recycling songs but "Apologize" was the cream of the crop, lamenting late requests for forgiveness and the pain of having to move on even though you don't want to.

Rachel Stevens Official Website Back Online

Rachel Stevens is the poster girl for pop injustice. This British pop star's short career produced two albums and seven singles including two No. 2 hits but due to general ambivalence of the British public, she hasn't released a thing since 2005. Although her artistic input was neg liable (one co-writing credit on her sophomore album Come And Get It), she embraced her role as a manufactured pop star and never pretended to be anything different. Stevens was a lightning rod for innovative pop during the mid 2000s getting handed hits from songwriting giants Xenomania, Richard X, and Cathy Dennis. Her body of work is small but impressive.

Stevens fans have held out hope for new music, but have spent the past three years sorley disappointed. Stevens had seemingly hung up the microphone in defeat and began using her pretty face to compete on the televised British dancing competition show, Strictly Come Dancing. Today however, her official website was relaunched causing (very small) ripples on the internet. Although the new site has absolutely no hint of a third album, some staunch Rachel fans are hoping this is the preliminary step towards a comeback. Regardless, enjoy Steven's biggest hit, "Sweet Dreams My L.A. Ex."
"In essence she is the quintessential modern pop star, and when we look back at this era [she] will be one of the defining people." - Richard X, 2005
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